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Unlike the later waltz, Landler melodies are generally active on each beat of the measure, the accents occurring in the accompaniment. Several rhythmic patterns occur in the traditional Landler and most are represented in Beethoven's Landler, WoO.
For instance, the first two dances are dominated by a half-note, quarter-note pattern, producing a long-short rhythm in the accompaniment. The third dance combines the long-short pattern with measures giving equal stress to each beat, while the fourth dance features a short-long pattern.
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A rising triplet in the first violin accents the third beat in No. The coda is really an extension of the sixth dance, giving Beethoven a chance to flex his developmental muscles.
Vol.14 : Kammermusik
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